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by Marisa

The Dear Hunter: The Color Spectrum

May 14, 2012 in Featured, Music, Shows by Marisa

Written by: Marisa Young Last Wednesday May 9th at the Somerville Theatre, I had the opportunity to watch The Dear Hunter perform their newest album The Color Spectrum all the way through in it’s entirety.  Front man and mastermind Casey Crescenzo is known for his exceptional talent, writing in various time signatures and utilizing intricate polyrhythmic lines.  He is also a master of conceptual album writing, as demonstrated through his several previous works. The Color Spectrum is no different: the album is a brilliantly written compilation of EPs based on nine colors of visible light: Black, Red, Orange, Yellow, Green, Blue, Indigo, Violet, and White.  The full compilation consists of 36-songs; each EP per one color and each containing four songs dedicated specifically to representing that color in a musical form. Experiencing the two and a half hour long compilation in a live setting was nothing less than exhilarating. The performance was broken into three sections with 10-minute intermissions between each set.  Six performers took the stage initially: 3 guitarists, a bassist, drummer, and keyboardist.  All players contributed to vocals at various points throughout the entire set.  Despite the somewhat obnoxious crowd who felt the need to yell out to the performers during the brief song breaks, Crescenzo kept the talking to a minimum and focused on a professionally respectable presentation of his songs. Throughout the set, several guest performers played on stage with TDH including vocalist /guitarist Andy Hull of Manchester Orchestra and vocalist /percussionist Cameron Thorne. Crowd favorites appeared to be “Misplaced Devotion” off the Yellow EP and “Mr. Malum” off of the Violet EP, the first of which gained a standing ovation from the crowd. As TDH played through the colors, the lights on the backdrop changed color according to the set list. Black kicked off the
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Show: Yann Tiersen

May 10, 2012 in Featured, Shows by Federico

French music-prodigy Yann Tiersen performed Sunday April 29th at the Royale Theater. It was an eccentric, colorful and emotional show, performed by musicians of outstanding caliber. Yann Tiersen is known for his brilliant musical scores for movies like Goodbye Lenin & Le Fabuleux Destin d’Amélie Poulain. The set consisted of a rock-band style group made up of Yann Tiersen and his 5 other bandmates. Each performer traded a repertoire of musical instruments including a saxophone, synths, drum set, bass, electric guitar, ukelele, mandolin, melodica and violin. The played a fusion of different styles, mostly material from the two albums Dust Lane and Skyline. These two albums have a tone of nostalgia and glorious themes, but are definitely something you don’t normally hear on the radio. Yann Tiersen’s classical training was always evident, but his live set can be described as an almost theatrical indie-rock, with a lot of harmonies, synths and strange effects. Some of the best performances included: “Another Shore”, “Monuments”, “Dust Lane”, “Palestine” and his incredible violin solo from “Sur le Fil”. The violin solo was quite a sight. Yann Tiersen blew the crowd away by playing guitar, keyboards, synthesizer, melodica and singing, all to perfection and style. In spite of Yann Tiersen’s incredible ability, his company of musicians was not shadowed due to their incredible musicianship. Even though the audience did not respond to the show that well, Yann Tiersen still delivered an incredible performance as well as an incredible visual show, with specific visual messages for each song.

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by Marisa

Interview with Tord Overland-Knudsen (The Wombats)

May 1, 2012 in Shows by Marisa

WRBBie Derek McCormack sat down with bassist Tord Overland-Knudsen of the Wombats last Tuesday April 24th at the Middle East in Cambridge.  Check out the exclusive interview below!

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by Derek

Show: The Wombats

May 1, 2012 in Featured, Shows by Derek

Christmas certainly did come early last Tuesday April 24th, when the Wombats rocked the Middle East Downstairs in Cambridge. The Brit indie rockers also played with NC-based Flagship, and NJ-based The Static Jacks, both of which were excellent show openers. All of this, combined with an excellent venue and a lively crowd, creating a truly unforgettable night. At 9 PM. Flagship took the stage to start off the night. They were a five-piece group that played about five or six of their songs for the crowd. To me, they sounded like a fusion of the Cure and maybe Kings of Leon: having a ‘Southern alternative’ backbone, but definitely also incorporating a more ambient sound. Their singer’s style reminded me a bit of Bono as well. I managed to speak with their drummer, Michael Finster, after they played. He told me that the band was from Charlotte, NC, and had only been together about nine months, but all of the members have been involved in other projects over the past six or seven years. He cited U2, Sigur Rós, and Arcade Fire among their greatest influences. Anyway, the effect of these bands was definitely felt, for they gave the sold-out audience a great performance. Next up was the Static Jacks. Led by frontman Ian Devaney, the indie punk rockers, also a five-piece band, went through eight or nine songs, primarily from their upcoming album. As for their style, they reminded me somewhat of the British band The Vaccines, but mostly I thought they sounded like another great indie band: Tokyo Police Club.  These guys really knew how to energize a crowd. Ian, especially, was a delight to watch, as he sang powerfully and skillfully throughout the songs. Between songs, he talked to the crowd, and was actually pretty funny. His great
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