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by Andrew

Captain Murphy – Duality

December 10, 2012 in Featured, Music by Andrew

Captain Murphy’s Duality is not your average rap mixtape. Its first single was released by Comedy Central’s Adult Swim channel, the album was initially released as a hallucinogenic 35-minute video montage, and its 15 songs are separated by instructions to aspiring cult leaders on how to recruit followers. Captain Murphy, the rapper at the center of the project, is portrayed in videos and pictures as a laughing cartoon figure that looks something like Rick Ross. In the time between the July release of the album’s first single, a collaboration with Odd Future’s Earl Sweatshirt called “Between Friends,” and the album’s release last month, speculation among music bloggers and rap fans centered on the identity of the mysterious Captain Murphy. Much of this speculation focus on his menacing voice, which is pitch-shifted, looped, and manipulated to give the appearance of two or three voices rapping in unison. At times, the speculation over Captain Murphy’s identity threatened to overwhelm coverage of his music itself. So when he performed in an LA concert two weeks ago and revealed himself to be experimental music producer Flying Lotus, who also released this year’s critically acclaimed electronic jazz album Until the Quiet Comes, many critics dismissed the musical experiment as finished. But Captain Murphy’s Duality deserves more than that, because regardless of its background, it is one of the best rap albums of the year. The album’s greatness starts with the production, coming from Flying Lotus himself as well as hip-hop greats Just Blaze and Madlib. Other than the furious club beat of TGHNT-produced “Shake Weight,” the album has a consistently dark and dreamy feel, with murky samples and bass lines giving each song a sinister atmosphere. The album is filled with vocal samples from 1950s apocalyptic movies, anime, and Christopher Nolan’s Batman films. Captain Murphy’s
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Avatar of Chris

by Chris

Streetlight Manifesto, Lionize, and Hostage Calm

December 6, 2012 in Shows by Chris

On Saturday November 24, The Royale became the temporary home of ska/punk giants Streetlight Manifesto. A manic punk band from New Jersey, Streetlight Manifesto has a reputation for their dedicated fan base and their energetic live shows. Opening for Streetlight Manifesto that night were Lionize, a DC-based riff heavy reggae band, and Hostage Calm, a pop-punkish group from Connecticut. Taking the stage at around 6 PM, Lionize started strongly. As the band’s signature mix of hard rock riffs and reggae filled the room, heads began to nod as people began to pay attention. As the drummer and bassist hit a grove and the keyboardist filled the spaces in between, the guitarist focused less on his playing and more on his singing. Throughout their set, the band played songs from their most recent album, Superczar and the Vulture, some yet to be released material, and other songs from some of their older albums. One of the most compelling things about Lionize is the lead singer’s powerful, soulful, and tastefully rough voice. For the duration of their forty-five minute set, it was clear that Lionize had the audience’s attention. Though the songs might have felt drawn out at times, the powerful grooves of the songs commanded your attention, and there is no denying that Lionize was a great band to watch. At around 7 PM, Hostage Calm took the stage. With the crowd already warmed up by Lionize, Hostage Calm had some time to establish themselves before the crowd passed judgment; the band couldn’t quite accomplish it however. Young and excited, the band launched in to their first song, a pop infused song with faster rock sensibilities. Although they describe themselves as a punk band, Hostage Calm strikes the listener (at least the live listener) as more of a pop punk band.
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by Gus

Sum 41 with IAMDYNAMITE

December 3, 2012 in Shows by Gus

The Paradise Rock Club had a line over a block long outside of it starting an hour before doors.  At 6PM, when the doors finally open, people flooded in and moved up against the barricade between the crowd and the band.  At 7PM, when Threads of Scarlet went on, they did so with a bang.  They played loud and clear and got the crowd well warmed up to receive the remaining two bands.  The typically four piece alternative rock outfit added a keyboard for the evenings performance, and it was definitely a performance.  I expect to hear a lot more out of them in the future as they will likely be on the rise in the near future. IAMDYNAMITE, the second opener and national tour mates with Sum 41 absolutely killed it.  Chris Martin came on without shoes, and Chris Phillips in a bandana and bright red pants.  The electricity was palpable as they opened up with the single Where Will We Go off of their new album SUPERMEGAFANTASTIC.  Their set was entirely comprised of songs they have put together since renaming themselves IAMDYNAMITE, and it was definitely what the audience needed to get them off of the ground on a cold night like it was.  The harmonies orchestrated between Martin and Phillips were perfect.  Well timed clap-alongs made the audience really get into the music.  Phillips’ unique approach to drum kept the rhythm varied and dynamic, and Martin on the guitar could have easily passed for rhythm and melody, doing his best to create a vibrant sound.  IAMDYNAMITE were fantastic, and if you have the opportunity to see them live, take it.  Martin and Phillips strike their set and go to the merch tables to meet with fans, take pictures, and sign whatever you have on you to be
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by Zack

Smashing Pumpkins with Five Knives

December 3, 2012 in Shows by Zack

When I walked into the Smashing Pumpkins show on December 2nd at Mohegan Sun, I had a little idea of what to expect.  I grew up listening to “Siamese Dream” and “Mellon Collie and the Infinite Sadness,” so I knew the music, but it was the Smashing Pumpkins concert experience I was lacking.  That changed after that night. Out of all of the shows I have EVER been to, this show was by far the greatest.  My jaw remained dropped from the first note to the last.  Not just because the Smashing Pumpkins delivered sevenfold, but also because the opening act blew everyone away as well.  It really felt like the 90′s grunge and dirty hopelessness came back for a few hours, and for some strange reason, I loved it. The opener Five Knives, was a punk rock, techno/dubstep, kick-in-the-teeth band from hell.  In other words they were amazing.  Led by Ke$ha’s evil twin, Anna Worstell, this band uttered not a single word to the crowd that wasn’t screamed, sung, or rapped, and in its own way, it was awesome.  They were essentially the harbingers of what was to come from the Smashing Pumpkins. Once Five Knives left the stage (and everyones’ minds blown), out came Billy Corgan, Jeff Schroder, Mike Byrne, and Nicole Fiorentino.  These four blew through their whole new album, Oceania, a psychedelic trip through space and the underwater universe.  After finishing the entire album, they played an amazing cover of David Bowie’s “Space Oddity,” and then tore through their best songs, including “Cherub Rock” and “Zero.” This show seemed to never end, but that was why it was so amazing.  When you thought one song was your favorite, the next one became your favorite.  It truly was one of the best shows I have seen and
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