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by Kelsey

Matt Costa – Matt Costa

February 22, 2013 in Album Reviews, Featured, Music by Kelsey

Matt Costa has been creating catchy, simple songs since 2006. He expands his sound with his new self-titled album, displaying the perfect balance between simplicity and complexity.   Although the instrumentals are complicated, most tracks (especially the fast-paced ones) are easy to become familiar with and are instantly likeable. A lot of the songs contain collaborative vocals, which add a sense of community to the music. This is especially true in  “Loving You,” “Good Times,” and “Walls Like Windows.” After seconds of listening to them, it is clear that these tracks will be the album’s highlights.   While the slow-paced tracks contain the same complex instrumentals as the fast-paced tracks, they often contain repetitive and mundane lyrics; sadly, this can detract from the beauty of the music.  However, there are two notable exceptions. “Laura Lee” is truly great. With guitar as the primary instrument, “Laura Lee” provides a nice change of pace from the influx of strings and piano that is present on the majority of the album. “Ophelia” is equally enjoyable, as every aspect of the song is beautiful.   Unfortunately, one of the best songs on the album, “Never Change,” just does not fit. Costa’s distinct voice is not even recognizable. This charming song could have been transported from a 1960’s folk album; no other song shares this quality. Therefore, its greatness is overshadowed by its lack of cohesion with the rest of the songs.   Matt Costa is Matt Costa’s fourth LP. It is unique for an artist to release a self-titled album so late in their career. However, self-titling this album is completely justified as this album excellent and displays Costa’s depth as a musician.

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by Eric

Matisyahu – Spark Seeker (Acoustic)

February 18, 2013 in Featured, Music by Eric

Matthew Miller, better known as Matisyahu, is an artist that has been building momentum for a few years. Combining reggae, alternative rock, and hip hop with traditional Jewish values, he is best known for his songs “One Day” and “King Without a Crown.” These hit songs demonstrate both his lyrical and melodic prowess, and his newest release – a live acoustic performance of “Spark Seeker” – is no exception. The first song off the EP, entitled “Crossroads” (feat J.Ralph), begins with a melancholy guitar line which leads into Miller’s pensive voice as he portrays a personal journey. A cello soon chimes in, starting slowly, but eventually threading in a dulcet counter-melody which maintains its independence for the greater part of the song. At the last statement of the chorus, the three come together: with Miller’s passionate voice coming through strong, the guitar switches to just chords, while the cello harmonizes. At the end of the chorus, Miller jumps immediately into freestyle beatboxing, which drives the song until the very last cello note fades. With a change of pace, the next songs “Live like a Warrior” and “Sunshine” take a much more upbeat chord progression. In “Live like a Warrior” the positive mood is contrasted by Miller’s lyrics, which speak about failing the expectations of others. The song takes an uplifting turn at the first chorus; the words “today, today, live like you want to” inspire the listener to move forward and, as the last line and title state, “Live like a warrior.” “Sunshine” has a catchy chorus, during which the guitar switches between flowing chords to more choppy/staccato chords, and then back again. Once again, Miller finishes off the song with lively beatboxing that still contains the melody. “Searchin” is the shortest song on the album, and focuses on a
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by Zack

The Virginmarys – King Of Conflict

February 14, 2013 in Album Reviews, Featured, Music by Zack

I first heard about this English band when I was surfing iTunes.  It happened to come up in the suggested new music column and as I usually do with suggested music, I checked them out on Youtube.  After the initial viewing of their music videos, I realized that this band meant business.  Like a pocket-sized Atomic bomb, this band sneaks up on you and then blows you away.  Needless to say, my expectations were surpassed. The debut album “The King of Conflict” starts with my new favorite song, “Dead Man’s Shoes.”  The beginning of the song starts with a simple guitar riff, and is then joined by a garage-band-drum-set sound.  Then, like a professional switch was flipped, the sound changes into a blasting rock song that you can’t help but to be impressed by.  Then once I heard Ally Dickaty’s first growl, I was immediately reminded of the band Wolfmother, with how dirty the sound was, but how clean it came off.  However, with that being said Ally’s voice was reminiscent of Kurt Cobain’s in how he could do a grungy growl, but also have the vocal ability to serenade. The next song, “Portrait of Red,” starts with a booming two guitar part.  One guitar plays a gentle back-and-forth riff, where another slams on chords all while Ally laments over the track.  Then a gentle soft rock pre-chorus eases the listener into a false sense of security, and then the chorus puts the pedal to the metal, with Ally showing what his grunge pipes can do.  The rest of the song keeps you hooked with either some crazy guitar chops or a sweet funky breakdown, leading to a energetic solo. The third song on the album, “Just a Ride,” starts off hard with a rocking riff, then cuts out to only Ally’s
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