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by Chris

Streetlight Manifesto, Lionize, and Hostage Calm

December 6, 2012 in Shows by Chris

On Saturday November 24, The Royale became the temporary home of ska/punk giants Streetlight Manifesto. A manic punk band from New Jersey, Streetlight Manifesto has a reputation for their dedicated fan base and their energetic live shows. Opening for Streetlight Manifesto that night were Lionize, a DC-based riff heavy reggae band, and Hostage Calm, a pop-punkish group from Connecticut. Taking the stage at around 6 PM, Lionize started strongly. As the band’s signature mix of hard rock riffs and reggae filled the room, heads began to nod as people began to pay attention. As the drummer and bassist hit a grove and the keyboardist filled the spaces in between, the guitarist focused less on his playing and more on his singing. Throughout their set, the band played songs from their most recent album, Superczar and the Vulture, some yet to be released material, and other songs from some of their older albums. One of the most compelling things about Lionize is the lead singer’s powerful, soulful, and tastefully rough voice. For the duration of their forty-five minute set, it was clear that Lionize had the audience’s attention. Though the songs might have felt drawn out at times, the powerful grooves of the songs commanded your attention, and there is no denying that Lionize was a great band to watch. At around 7 PM, Hostage Calm took the stage. With the crowd already warmed up by Lionize, Hostage Calm had some time to establish themselves before the crowd passed judgment; the band couldn’t quite accomplish it however. Young and excited, the band launched in to their first song, a pop infused song with faster rock sensibilities. Although they describe themselves as a punk band, Hostage Calm strikes the listener (at least the live listener) as more of a pop punk band.
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by Gus

Sum 41 with IAMDYNAMITE

December 3, 2012 in Shows by Gus

The Paradise Rock Club had a line over a block long outside of it starting an hour before doors.  At 6PM, when the doors finally open, people flooded in and moved up against the barricade between the crowd and the band.  At 7PM, when Threads of Scarlet went on, they did so with a bang.  They played loud and clear and got the crowd well warmed up to receive the remaining two bands.  The typically four piece alternative rock outfit added a keyboard for the evenings performance, and it was definitely a performance.  I expect to hear a lot more out of them in the future as they will likely be on the rise in the near future. IAMDYNAMITE, the second opener and national tour mates with Sum 41 absolutely killed it.  Chris Martin came on without shoes, and Chris Phillips in a bandana and bright red pants.  The electricity was palpable as they opened up with the single Where Will We Go off of their new album SUPERMEGAFANTASTIC.  Their set was entirely comprised of songs they have put together since renaming themselves IAMDYNAMITE, and it was definitely what the audience needed to get them off of the ground on a cold night like it was.  The harmonies orchestrated between Martin and Phillips were perfect.  Well timed clap-alongs made the audience really get into the music.  Phillips’ unique approach to drum kept the rhythm varied and dynamic, and Martin on the guitar could have easily passed for rhythm and melody, doing his best to create a vibrant sound.  IAMDYNAMITE were fantastic, and if you have the opportunity to see them live, take it.  Martin and Phillips strike their set and go to the merch tables to meet with fans, take pictures, and sign whatever you have on you to be
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by Zack

Smashing Pumpkins with Five Knives

December 3, 2012 in Shows by Zack

When I walked into the Smashing Pumpkins show on December 2nd at Mohegan Sun, I had a little idea of what to expect.  I grew up listening to “Siamese Dream” and “Mellon Collie and the Infinite Sadness,” so I knew the music, but it was the Smashing Pumpkins concert experience I was lacking.  That changed after that night. Out of all of the shows I have EVER been to, this show was by far the greatest.  My jaw remained dropped from the first note to the last.  Not just because the Smashing Pumpkins delivered sevenfold, but also because the opening act blew everyone away as well.  It really felt like the 90′s grunge and dirty hopelessness came back for a few hours, and for some strange reason, I loved it. The opener Five Knives, was a punk rock, techno/dubstep, kick-in-the-teeth band from hell.  In other words they were amazing.  Led by Ke$ha’s evil twin, Anna Worstell, this band uttered not a single word to the crowd that wasn’t screamed, sung, or rapped, and in its own way, it was awesome.  They were essentially the harbingers of what was to come from the Smashing Pumpkins. Once Five Knives left the stage (and everyones’ minds blown), out came Billy Corgan, Jeff Schroder, Mike Byrne, and Nicole Fiorentino.  These four blew through their whole new album, Oceania, a psychedelic trip through space and the underwater universe.  After finishing the entire album, they played an amazing cover of David Bowie’s “Space Oddity,” and then tore through their best songs, including “Cherub Rock” and “Zero.” This show seemed to never end, but that was why it was so amazing.  When you thought one song was your favorite, the next one became your favorite.  It truly was one of the best shows I have seen and
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The Gaslight Anthem & Polar Bear Club Show Review

November 27, 2012 in Shows by Justine

On Monday November 26th, the House of Blues was alive with live performances from Matthew Ryan, the Polar Bear Club, and headlining band The Gaslight Anthem. When the show began I was surprised to see a man walk onto the stage with a guitar. I had absolutely no idea who he was and I had only read that the concert involved Polar Bear Club and the Gaslight Anthem. The only thing this man confessed before he started playing was how nervous he was. He had an amazing voice, somewhat raspy, but it was apparent that was what he was going for. After the third song someone from the crowd finally asked what his name was, he gave a fake name and then gave his real name a couple of seconds later, Matthew Ryan. On the fourth song he used a harmonica in addition to the guitar. The entire time he played I could not get out of my head the resemblance to Bob Dylan. I was completely surprised by this unknown to me performance, but it was amazing. He was very funny and get the crowd engaged. Next on the stage was Polar Bear Club, one of my all time favorite bands. The energy of this band is unmatched to any band I have ever seen. Jimmy Stadt, the vocalist, will never be seen standing still for honestly more than one second. The band sounded amazing per usual. It was easily apparent that many people in the crowd were not familiar with Polar Bear Club, but it didn’t seem to matter. People could be seen grooving along to the fast paced music the entire set, a sure sign that once again the Polar Bear Club did not disappoint. In the middle of the set Jimmy announced that this concert was very special. They’ve been touring
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by Kelsey

Show: Of Monsters and Men & Sóley

November 21, 2012 in Featured, Shows by Kelsey

On November 19th at the Orpheum Theatre, Of Monsters and Men and opener Sóley exhibited the diverse musical talent Iceland has to offer. Through ambient songs, Sóley undoubtedly displayed her pianistic talent. Though she played with two musicians, the music was clearly a solo project. Her captivating utilization of echoing created an experimental sound. Contrary to Of Monsters and Men’s usage of various instruments such as trumpets and accordions, the keyboard fueled Sóley’s music almost exclusively. From Of Monster and Men’s initial song, “Dirty Paws”, the enthusiasm exhibited by the crowd and the band was remarkable. The band frequently instructed the audience, who always complied, to clap and sing along. To the delight of any fan, the band played all 12 songs from their debut album, My Head is an Animal. In addition, they performed a cover song by The Yeah Yeah Yeahs and a new track. The audience was electrified throughout the entire concert. Every song was performed fervently, creating an interactive, exhilarating experience. The strength of the music was the blend of the vocals of Ragnar Þórhallsson and Nanna Bryndís Hilmarsdóttir. The beauty created using these two voices is unparalleled. The two vocalists’ collaboration was especially powerful during the band’s most commercially successful song, “Little Talks” as well as “Lakehouse” and “Sloom”. The band made the brilliantly unexpected decision to not play their most popular songs during the encore. Playing songs such as “Little Talks”, “Mountain Sound”, and “Kings and Lionheart” in the middle of the set invigorated the crowd. The audience reveled in every moment of these numbers. The encore ended with “Yellow Lights” which Hilmarsdóttir described as a lullaby. Ending with such a calming song, especially one that displayed the talents of both vocalists, was a wise decision. The audience left relaxed and inspired by the
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